Get Free Ebook Romanticism and the Materiality of NatureBy Onno Oerlemans
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Romanticism and the Materiality of NatureBy Onno Oerlemans
Get Free Ebook Romanticism and the Materiality of NatureBy Onno Oerlemans
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Given current environmental concerns, it is not surprising to find literary critics and theorists surveying the Romantic poets with ecological hindsight. In this timely study, Onno Oerlemans extends these current eco-critical views by synthesizing a range of viewpoints from the Romantic period. He explores not only the ideas of poets and artists, but also those of philosophers, scientists, and explorers.
Oerlemans grounds his discussion in the works of specific Romantic authors, especially Wordsworth and Shelley, but also draws liberally on such fields as literary criticism, the philosophy of science, travel literature, environmentalist policy, art history, biology, geology, and genetics, creating a fertile mix of historical analysis, cultural commentary, and close reading. Through this, we discover that the Romantics understood how they perceived the physical world, and how they distorted and abused it. Oerlemans's wide-ranging study adds much to our understanding of Romantic-period thinkers and their relationship to the natural world.
- Sales Rank: #3392514 in Books
- Published on: 2015-02-01
- Original language: English
- Number of items: 1
- Dimensions: 8.99" h x .73" w x 6.00" l, .86 pounds
- Binding: Paperback
- 253 pages
Review
'By juxtaposing travel literature and vegetarianism, the horse paintings of George Stubbs and the animal poetry of John Clare, the material particularity of Wordsworth and the taxonomic theories of Foucault, Cuvier, and Darwin, Oerlemans creates a splendid cross-fertilizing of fields. The result is a very exciting, fresh consideration of the complex resonances between Romanticism and environmentalism, materiality and sublimity, and natural history and literature. A welcome study.' J. Douglas Kneale, Department of English, University of Western Ontario
Review
'By juxtaposing travel literature and vegetarianism, the horse paintings of George Stubbs and the animal poetry of John Clare, the material particularity of Wordsworth and the taxonomic theories of Foucault, Cuvier, and Darwin, Oerlemans creates a splendid cross-fertilizing of fields. The result is a very exciting, fresh consideration of the complex resonances between Romanticism and environmentalism, materiality and sublimity, and natural history and literature. A welcome study.'
(J. Douglas Kneale, Department of English, University of Western Ontario) About the Author
Onno Oerlemans is an associate professor in the Department of English at Hamilton College.
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